As a wedding and portrait photographer, I strive to create images that tell the story of your life with beauty and grace, respect and imagination. Foregoing forced smiles and stiff poses, I embrace natural smiles and expressions in order to create images that have a unique freshness and vitality and a heartfelt and emotional authenticity.

Welcome to my blog!

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Showing posts with label Personal. Show all posts
Showing posts with label Personal. Show all posts

Friday, September 03, 2010

Life's About To Get Lovelier



A small but oh-so-significant explanation of why it's been so quiet around here this summer. We are expecting our little sweetheart in February 2011.

I think I need to stock up on onesies, receiving blankets, and memory cards. Lots and lots of memory cards.

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Wednesday, June 30, 2010

Wanderlust

Every summer, when the sun gets warmer, the breeze blows a bit faster and the fireflies flirt with little lanterns, I am overcome by wanderlust. The need to explore is so strong within me. If you feel the same way, consider a weekend visit to Mount Victoria in tranquil Eureka Springs, Arkansas. This charming bed & breakfast is the perfect home base for wandering, but with all the comforts of home. More comforts than home, actually, unless it's common in your house to have a gourmet breakfast on the veranda and homemade chocolate cake in the afternoon.

Innkeepers Chris and Lisa are newlyweds and undeniably romantic. Imagine my delight when I saw my favorite, favorite love poem framed on the front porch.

If you go, ask for the Mazaret Suite. And if you bring back a piece of that chocolate cake, I'll be forever yours.



















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Sunday, May 16, 2010

Living in the Between

I want to wake up and walk out my door to a coffee shop on the corner. I want to drop off my dry cleaning on my way to the subway or tube stop. I want to have a book store and a movie theater in my neighborhood. I want to sit in a local bar and have a glass of wine and write in my journal. I want to know the bartender's name and have a bowl of mussels with butter and herbs in broth. I want to wear black and high heels and fake pearls.













On the other hand, I want to own a farm in Kentucky, grow limestone lettuce, adopt a dog and let him run and hunt, listen to rain on a tin roof, raise chickens, drive a pickup truck, sit on the porch at the end of the day and sleep like a baby in a four poster bed that belonged to my grandmother.

Except those two sides of myself will never be fully reconciled, so I live in the between-spaces.
Nikki Hardin, publisher of skirt! Magazine













It was so difficult to choose this small sampling from the more than 1,500 images I snapped on our recent visit to Switzerland. Switzerland is such an amazing country: it's the perfect blend of traditional convention + modern advancement, snow-iced mountains + sun-dappled meadows, glamorous city + carefree country. Even more amazing is our incredibly loved family who are lucky to call this place home. We laughed so hard we cried, we cried a little - enough to make us laugh, and then we had to hug goodbye.

We miss you already.

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Thursday, April 08, 2010

Everywhere

From all these trees,
in the salads, the soup, everywhere,
cherry blossoms fall.
Basho

This year, we traded Easter eggs for cherry blossoms. We love to be tourists in our own town, and on the most beautiful Easter in recent memory, we made the short drive to Washington D.C. to breathe in the cherry blossoms during their peak.

I would have loved to have scooted everyone aside and posed a bride here. A little sidelighting, a natural frame of flowers. My stars wouldn't that have been gorgeous! It's not practical ... but dreams never should be.



I love photographing my husband's hands. They are strong, yet gentle; masterful, soothing, healing hands. On the occasion when he tucks a strand of hair behind my ear, or reaches for me in a crowd, I melt like a marshmallow peep. I don't think I've ever told him that ... I just always ask him to hold something for a photograph. I suppose now the secret's out.



What pure delight - a gentle, rustling canopy of pink.


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Sunday, March 21, 2010

At Long Last

Spring has returned. The Earth is like a child that knows poems.
Rainer Maria Rilke









Thursday, January 28, 2010

For Best Results Follow These Simple Rules

This basic little box camera belonged to my paternal grandmother.  It was introduced to the market in 1932.  It's not as popular as the Kodak Brownie or the Rolleiflex, but I think it's pretty sweet.  Of course, I have always had a penchant for underdogs.


The camera uses 120 film and has two viewfinders for creating either vertical or horizontal shots.  My mother remembers my grandmother taking photos with it.  Every year for Christmas, my grandparents would send us a box of homemade fudge and their yearly portrait.  One year they were posed in their abundant garden, holding giant squash ... the next year, posed in front of a looming haystack.  They were my own, intimate, personal representation of American Gothic.   


My grandparents lived in rural Oklahoma.  Staying with them was so different from being in the city.  They didn't have much, and life was simple.  I remember waking up to the smell of homemade biscuits topped with homemade jam, and bacon, always bacon.  I have a memory of taking an afternoon nap on their mile-high iron-frame bed, lying on one of my grandmother's handmade quilts, cooled by a breeze sneaking through the open window.  I loved the pure, fresh, country air.  The faint moos from cows far in the distance.

In such a small town, there wasn't much for traditional entertainment.  We forged through the tall grass in the meadow to visit the cows, but we were always terrified of the bull and even one lazy turn of his head would send us, squealing, back to the house as fast as our legs would take us.  Once, my sister and I used enough brylcreem to style my grandfather's comb-over into a tall spike.  (He really must have loved us.  Although, I think he was grateful for the entertainment, too.)  On the hottest days, I'd wear one of my grandfather's t-shirts, hanging down to my ankles, to run through the sprinkler.  We ate ripe tomatoes off the vine with just a sprinkle of salt.  We puckered our faces with sour grapes from the fence line, probably not yet ripened.  As the sun dipped lower in the sky, we'd catch fireflies and burn off our energy by making figure eights between the house and the cellar door, around the clothesline and back.   Some nights we'd just lie on the porch swing and find solace among the fragrant, climbing roses. 


A handful of years ago, my grandparents died on the same day.  I was in my mid-twenties.  By the time we made the long road trip to their house in the country, the simple and carefree life I remembered from my childhood had been wrecked.  For the first time, life in that little five-room house became complicated.  Family members had already taken all the handmade quilts, the wedding rings, my grandmother's only bracelet (given to her by her childhood boyfriend), and the biscuit pan that was a striking emblem of her hospitality.  Also gone were the tall iron bed, my grandfather's war medals, and my grandmother's cast iron skillet.  I slowly, numbly picked up a potted peace lily, delivered by a thoughtful neighbor.  Someone grabbed it out of my arms and declared it would look beautiful in her apartment.

I felt nauseated.  It wasn't that I wanted all of those things; I just wanted something tangible to help me always remember what made my grandparents special.  I am terrified of losing memories.  Memories might not be tied to a biscuit pan or the last jar of Pearl's grape jelly, but what if they were?  I was afraid of the answer.


Then, a couple of years later, this modest little box camera found its way to me.  I think it survived the mayhem because people assumed it didn't have any intrinsic value.  And it doesn't, to anyone else in the world but me.  A few months ago, I was turning knobs and examining levers to see if it possibly still works.  And, inside the camera, I found the manual.  I sat down to read it and, when I got to Simple Rule Number 11, I felt warmed, like I was sitting in country sunshine.


I thought of my grandparents, taking snapshots of their prize-winning cucumbers, and posing in front of haystacks.  I thought of how those snapshots are truly the most valuable treasures of all.  It's true that memories live in your heart, and images of climbing roses or the taste of jam can be brought to mind in a split second, in the middle of winter.  But, photographs anchor those memories.  My memories are generalities, and they are formatted in soft focus.  So, we all need a reminder - like Rule Number 11 - to always take our cameras along.  Photograph it all ... even the simple things.  Especially the simple things.  From squash, to haystacks, to tomatoes on the vine.   It's all too perfect to forget. 

Monday, January 18, 2010

The Art of Simplicity




I was so delighted to catch up with this family last week. We lived across the street from them the first year we were married, and we couldn't have asked for better neighbors. The door of our moving truck was barely cracked before they were over to introduce themselves and welcome us to the neighborhood. I just adore these girls: one of them sweet and serious, the other hysterically funny. A love note from them lives on my desk.

I'm helping their mom design a wall collection, and so I unearthed their photographs from the archives. It was so interesting to take an unexpected walk back through my photographic journey.

From the beginning, I was raised on film. My first camera (a Christmas gift when I was 7) was a Kodak disc camera. Remember those? Remarkably tiny negatives and terrible prints. I loved it. Later, when I was 14, I learned to shoot manually with a Pentax K1000. It was like learning how to drive in an old Ford truck with 5 on the floor. For years I practiced. Film was expensive, and every shot was carefully studied. After a lot of practice (and a lot of underexposed photographs), I learned to read the light. I eventually left the light meter in my bag because, through all of my practice, mistakes and successes, I learned the fine characteristics of my film and how it would perform in the light. I loaded my camera with Ilford or T-Max or Portra, and I knew that certain days required an aperture of f/4 at 1/60th of a second. On other days, it was f/8 at 1/125th. I grew to adore my medium-format Mamiya. Next, I challenged myself to learn how to print in a darkroom; I spent many quiet hours in the dark, listening to Dave Matthews, pushing light through negatives onto fiber-based paper. I still love the smell of developer and the rolling, rhythmic hum of the print washer.

And then ... [dramatic pause] ... I was introduced to Photoshop. And my photographic identity was turned upside-down. I became enamored with all the creative possibilities. I added heavy vignettes, soft-focus effects, and sometimes, I even added glow. ::puts her face in her hands at this painful memory:: I thought, this is what I've been missing! How remarkable! Now I am an artist.

And, thank heavens, all of that is out of my system. So, back to the beginning of my story. I pulled all the photographs of these sweet girls from a dusty CD and remembered that they were all taken with my medium-format Mamiya. And that I had ruined them with Photoshop. Special effects and diffuse glow obscured the raison d'etre of the photographs: the girls' beautiful smiles, their shared sisterhood. So I did what I needed to do ... start completely over. Each of their photographs has been re-mastered to bring it back to simplicity. And in the midst of all their photographs of tutus and tea parties and swirly lollipops, this one, above, is my favorite. They're wearing their play clothes, sitting in front of their childhood home, bathed by a little bit of sun flare. Simple. Beautiful. And honest.

Photoshop is still a very important player in my arsenal of tricks, but now I use it mostly to enhance the natural qualities of a photograph, just as I would do in a darkroom. No fake bokeh, no pretend sunset glow. No glow! In fact, I'm happy to say that Miya is coming out of retirement, along with my vintage Polaroid SX-70, my panoramic Widelux, and several Holga cameras.

It's been a wonderful journey, but it's good to be home.

Thursday, December 31, 2009

The Finish Line



We've reached the finish line of 2009.  Many people in many places are making resolutions for our individual life marathons in 2010.  Secretly, I've always loved resolutions: an unlimited number of promises to try new things, release bad habits and improve your life.  But, often we are reminded that life is not perfect, and trying to make it so will drive us crazy.  A goal of perfection, while lofty and tempting, can give us cramps that knock us right out of the race.  These surprise reminders make us realize that just attempting, and, in the most blessed of days, finishing, is the most respectable goal.  And these - most certainly - are reasons to celebrate.

When I read The Finish Line in one of my favorite sources of inspiration, Skirt Magazine, I immediately ripped it out.  Although the words are not mine, I recreated them in photoshop to create this visual reminder of life's preciousness.  For my desk, my dresser, or smack on the fridge.  Wherever I need it the most.

So, go ahead and resolve to drink more water, take more walks, and send more love letters.  But don't let those promises stop you from savoring where you are, right now.  Your life is a gift.  Happy New Year!  

Sunday, December 27, 2009

Christmas Blessings

I hope your Christmas brought all the loveliest things: a soft, white snow, some tried-and-true traditions (well-worn and a little frayed around the corners), and a decent distance from anything with an in-box. Christmas Blessings from our house to yours!